We have seen in the previous lesson al the major triads in close (or closed) position. As already stated if these notes of the triad (or ‘voices’) are contained within an octave we call it in ‘close’ or ‘closed’ position, as opposite as ‘spread’ position (more than an octave). Just watch the video where I… Continue reading Triads Pt 2 Spread Voicings
Tag: Scale
Triads
In this lesson I go through all inversions for the most popular major triad ‘shapes’ on guitar. The theory behind triads is quite simple: a major triad is basically the 1st, 3rd and 5th note of a major scale. If analysed in intervals: from the root I will have a first note that is a… Continue reading Triads
Playing in Fourths
I really like this style of phrasing, take some great examples like McCoy Tyner, and a lot of the ‘hard bop’ jazz cats. The basic idea is this: take a scale, in this example I will use a C major scale. Now play all the diatonic fourths contained in C major: In the video I am playing… Continue reading Playing in Fourths
Jazz guitar: Altered Chords Pt2
In this video I show how to use the Superlocrian mode (nothing more than the 7th mode of a minor melodic scale) to improvise over altered chords. On C7 the choice would be C Superlocrian C, Db,Eb,E, F#,G#,Bb (also known as Db melodic minor starting from C). Listen to a few examples of resolution from C7(alt) to… Continue reading Jazz guitar: Altered Chords Pt2
Jazz guitar: Altered Chords Pt1
Altered chords are a flavour of dominant chords, where we add certain extensions: #9,b9,#5,b5. In the example on the video I use C7 as basic chord and add the extension D#,Db,G#,Gb also as combinations.
How to use the Diminished Scale Pt 2
Continuation of the diminished scale video…in this Pt2 I show how to incorporate triads into phrases or altered chords voicings. If we take a C half step/whole step scale C, Db, Eb, E, F#, G, A, Bb we see that four triads can be found within the notes of this scale: C major, Ebmajor, F#major,… Continue reading How to use the Diminished Scale Pt 2
Pat Metheny Clinic and Chromatic scale Exercise
Not too long ago I posted this guitar exercise video: the never-ending chromatic scale. find the original post here: http://www.TrueGuitarist.com/never-ending-chromatic-scale/ Just yesterday I found this video of a clinic by Pat Metheny. Check out the video, what he’s doin at the very beginning is exactly what I am talking about.
Basic Music Theory for Beginners Pt 2:on Guitar, Practical Application.
Basic theory knowledge pt 2: on Guitar! Let’s now go back to the basic theory post (quite successful over 10k views just the day I posted!) , and let’s see how things apply to guitar…just read the explanatins in red and watch the videos! Let’s start again: The natural sounds are: English C D E F… Continue reading Basic Music Theory for Beginners Pt 2:on Guitar, Practical Application.
Basic Music Theory for Beginners
Basic theory knowledge What follows is just a brief summary of basic theory and harmony necessary to understand practical applications on your instrument. The natural sounds are: English C D E F G A B You might also find in some books the name of these notes in Italian (nothing to do with ‘solfege’!) Do,Re,Mi,Fa,Sol,La,Si… Continue reading Basic Music Theory for Beginners
Harmonic Major Scale
This is a scale I use really often and that can be incorporated in many different progressions. The Harmonic major scale is nothing but a major scale (in the example C major C D E F G A B) with the b6th instead of the natural 6th. So C Harmonic Major is C D E… Continue reading Harmonic Major Scale