In this short blog I play a solo guitar arrangement of “You’ve got a friend” By James Taylor/Carol King and show some ideas I used to create this arrangment
Tag: Solo
Melodic Development – How to make your solos more interesting
In this video I quickly explain how to take a basic idea and try to develop it to make your solos more interesting and memorable. Remember to leave lots of space!! Recommended reading: Hal Crook: An analysis of his core improvisational style: An analysis of trombonist Hal Crooks’ improvisational style from 1994-96, through the examination… Continue reading Melodic Development – How to make your solos more interesting
Playing in Fourths
I really like this style of phrasing, take some great examples like McCoy Tyner, and a lot of the ‘hard bop’ jazz cats. The basic idea is this: take a scale, in this example I will use a C major scale. Now play all the diatonic fourths contained in C major: In the video I am playing… Continue reading Playing in Fourths
Tips: play Giant Steps on guitar
Giant Steps has always been a challenging standard to play, in this video I give a few tips on how to approach this famous tune. The Chords (from the fake book-as far as I know it is not copyrighted material so I am posting the original): One good ‘pattern’ to start familiarising with the progression in playing… Continue reading Tips: play Giant Steps on guitar
Jazz guitar: Altered Chords Pt2
In this video I show how to use the Superlocrian mode (nothing more than the 7th mode of a minor melodic scale) to improvise over altered chords. On C7 the choice would be C Superlocrian C, Db,Eb,E, F#,G#,Bb (also known as Db melodic minor starting from C). Listen to a few examples of resolution from C7(alt) to… Continue reading Jazz guitar: Altered Chords Pt2
How to use the Diminished Scale Pt 2
Continuation of the diminished scale video…in this Pt2 I show how to incorporate triads into phrases or altered chords voicings. If we take a C half step/whole step scale C, Db, Eb, E, F#, G, A, Bb we see that four triads can be found within the notes of this scale: C major, Ebmajor, F#major,… Continue reading How to use the Diminished Scale Pt 2
Triad Combinations (also known as Triad Pairs)
You can get quite a modern sound by alternating and combining major and minor triads. In the video I use variuos combinations like C minor and D major that touch different degrees of the key of the moment. Try different combinations and write down those that sound more interesting to your ears. You can find… Continue reading Triad Combinations (also known as Triad Pairs)
Tritone Substitution/Passing Chords
Very simple concept widely used in jazz ( but good for other styles). Like shown in the video, G7 and Db7 are two chords a tritone away (tritone=6 semitones) that share the same 3rd and 7th. G7= G B D F Db=Db F Ab B as you see the notes B and F are common… Continue reading Tritone Substitution/Passing Chords
Phrasing – Build your own vocabulary of melodic material
This is where things get quite interesting. In this video I will show you how to use material from other solos you might already know, or you want to learn. All this will build your vocabulary of musical ideas/ knowledge of styles if you do it the right way: 1. Learn a phrase (=musical idea… Continue reading Phrasing – Build your own vocabulary of melodic material
Jog Scale
This is a scale I know as ‘Jog scale’. I am sure even though you might not know it by name, you have heard its sound before, as it is featured in a lot of Beatles tunes, and also a favorite of guitarist Eric Johnson. It has an Indian flavor to my ears…just watch the… Continue reading Jog Scale