This is a another classic chart to understand how modes are built by comparing them to the major scale staring from the same note…you’ll see right away how D Dorian is a minor mode and how it differs from D major scale. Printable PDF: Modes Pt3 C Ionian = C major by constitution and it… Continue reading Modes of major scale pt3
Tag: theory
Modes of major scale pt2
Modes of the major scale Pt2. In the first video I showed you all the modes from one scale (C major), where all the modes shared the same notes, each one starting from a different note. Here I’ll do something different: all my modes will start from the same note (C). Of course all these… Continue reading Modes of major scale pt2
Modes of major scale pt1
Modes are a simple subject that sometimes can be misunderstood. Modes are ‘inversions’ of a scale, a scale ‘within’ a scale that takes life of its own. In this first series of videos about modes I show you the modes from the major scale: these are just 7 other scales, built with the same notes… Continue reading Modes of major scale pt1
Expand your vocabulary Pt2
Expand your vocabulary Pt2 After I have learnt my phrase in every key I will now use it in context. Here I am using it on ‘autumn leaves’ every time there is a 2-5-1. of course I use it in the appropriate key, and I fill the rest of the tune with material stylistically similar.… Continue reading Expand your vocabulary Pt2
Expand your vocabulary Pt1
Expand your vocabulary Pt1 In this video I’ll show you how to ‘import’ in your playing a new phrase/ melodic snippet by analyzing its shape and transposing it in every key. This is the phrase I use:
Connecting 7th arpeggios with scales
This is a great exercise that not only will improve your articulation, but will better your understanding of 7th arpeggios and how to connect them in a musical manner. Watch the video and download the file, it is pretty much self explanatory. After you have learnt the exercise, there are two things you can do… Continue reading Connecting 7th arpeggios with scales
7th Arpeggios
a lesson on 7th arpeggios, here I demonstrate how to master these structures all over the guitar. I mostly play the major 7th arpeggio, but you can use any arpeggio in any key. Printable PDF: 7th arpeggios – shapes
2-5-1 minor
Like the 2-5-1 in major this is quite a reoccurring progression in many different styles. Its originates from the Harmonic Minor scale and the chords are IIm7(b5)-V7(b9)-Im(maj7). In the video I show you a scale (that really has no name) that fits these 3 chords, and if learned in all keys, will cover your basic… Continue reading 2-5-1 minor
Interval Color for Soloing
One of the ways to fight ‘patterns’ playing is to explore all the intervals you can find in a scale. It is a really easy concept you can apply to ANY scale. This is also a great exercise for your chops. Try to practice more with your ears than your fingers…enough said. If applied to… Continue reading Interval Color for Soloing
More Advanced Blues stuff (the Miles/Robben thing)
Advanced pentatonic stuff. There are when times you can get bored of playing just the pentatonic on a blues, or maybe you’ve heard more contemporary blues players like Robben Ford, or blues influenced jazz guys like John Scofield and Scott Henderson. Well, here I come to help you out with a couple of tips: first… Continue reading More Advanced Blues stuff (the Miles/Robben thing)