In this lesson I explain how to comp in four strumming with a bass line. Usually this is done quite easily in finger style but I find the strumming to change the feel quite a bit, adding a nice groove to the whole thing.

In this video I explain how to approach right hand technique to have a better ‘swing’ when playing jazz solos…obviously this works well for any style of music that has back beat (blues, rock and so on…). The idea is to PICK the note on the UPBEAT and SLUR the note on the DOWNBEAT, using hammer-on, pull-off or sliding to the next note. As I show in the video, this is not to be done constantly, but with taste, mixing it up to create a lot of different rhythms.

where m=minor, M=major, P=perfect, dim=diminished, aug=augmented.

If you look closely, you will notice that the notes that are contained in the C major scale (being the example from the note C) are all a major or a perfect intervals.

C-D Major 2nd

C-E Major 3rd

C-F  Perfect 4th

C-G Prefect 5th

C-A Major 6th

C-B Major 7th

This stands true for all the major scales in every key.  So another quick way to find at what interval distance two notes are, is to calculate from the major scale.

How do I calculate intervals on guitar?

To  calculate intervals on guitar is not difficult at all as everything translate in exactly the same way. If I know the notes on the guitar neck this is all very simple as all I need to do is make the calculation like I did above. (Eg: if I am playing a C on the 3rd fret, 5th string and an F# 4th fret 4th string , that is a augmented 4th, just like above).

After a while you will see a some recurring ‘shapes’  and you will learn to quickly recognise an interval by the shape it draws on the fretboard, just like you do with chords: the following is an attempt to summarize all these shapes. Maybe not complete, but I hope it will help.

Click on the images below to download the interval charts PDF files:

Both these resources are from ‘The Guitar Kit Pro’, where the files will be higher resolution and unbranded: read all about it here: ‘The Guitar Kit Pro’ . Keep supporting this site by purchasing the products on the Shop page, thanks!

This post if for the jazz guys, and possibly those that want to venture into jazz territory. I talked about repertoire yesterday, and today I was asked by a friend to put together a list of the most popular jazz standards that might be called at a jam session…this is what I came up with, and I thought of sharing it with you. Comes without saying that this list is by all means incomplete and dictated by my experience with jazz jams.  Feel free to add your suggestion in the comments section!

A Nightingale Sang In Berkeley Sqare

Agua De Beber

Ain’t Misbehavin’

All Blues

All of Me

All of You

All Or Nothing At All

All the Things You Are

Alone Together

Angel Eyes

Autumn Leaves

Beautiful Love

Billie’s Bounce

Blue Bossa

Blue Monk

Blue Moon

Body and Soul

But Not For Me

Bye Bye Blackbird

C Jam Blues

Caravan

Chelsea Bridge

Cherokee

Come Rain Or Come Shine

Cry Me a River

Darn That Dream

Days of Wine and Roses

Desafinado

Do Nothin’ Till You Hear From Me

Don’t Get Around Much Anymore

Donna Lee

Doxy

Easy to Love

Embraceable You

Estate

Everything Happens to Me

Everytime We Say Goodbye

Fly Me To The Moon

Foggy Day

Four

Gee Baby Ain’t I Good to You

Gentle Rain

Georgia On My Mind

Giant Steps

Girl From Ipanema

God Bless the Child

Good Bait

Green Dolphin Street

Have You Met Miss Jones

Here’s That Rainy Day

How Deep is the Ocean

How High the Moon

How Insensitive

How Long Has This Been Going On

I Can’t Get Started

I Could Write a Book

I Didn’t Know What Time It Was

I Get a Kick Out of You

I Got Rhythm/Rhythm Changes

I Hear a Rhapsody

I Loves You Porgy

I Remember You

I Should Care

I Thought About You

I’ll Remember April

I’ve Got You Under My Skin

If I Should Lose You

If I Were a Bell

Impressions

In A Sentimental Mood

Invitation

Isn’t It Romantic

It Ain’t Necessarily So

It Could Happen to You

It Don’t Mean A Thing

It Had to Be You

Jitterbug Waltz

Joy Spring

Just Friends

Just One of Those Things

Killer Joe

Lady Is A Tramp

Laura

Lazy bird

Like Someone In Love

Love For Sale

Lover Man

Lullaby Of Birdland

Lush Life

Mack the Knife

Maiden Voyage

Mercy, Mercy, Mercy

Misty

Moanin’

Mr. P.C.

My Favorite Things

My Foolish Heart

My Funny Valentine

My Little Suede Shoes

My One and Only Love

My Romance

Nardis

Nature Boy

Night and Day

Night In Tunisia

Now’s The Time

Old Devil Moon

Old Folks

Oleo

On A Slow Boat To China

On The Sunny Side Of The Street

One Note Samba

Over The Rainbow

Polka Dots and Moonbeams

Prelude To A Kiss

Quiet Nights of Quiet Stars (Corcovado)

Round Midnight

Satin Doll

Scrapple From The Apple

Smile

Smoke Gets In Your Eyes

So What

Softly as In A Morning Sunrise

Solar

Someday My Prince Will Come

Someone To Watch Over Me

Somewhere Over the Rainbow

Song For My Father

Sonnymoon For Two

Speak Low

St. Thomas

Stella By Starlight

Stormy Weather

Straight No Chaser

Sugar

Summertime

Sunny

Sweet Georgia Brown

Take Five

Take the “A” Train

Tea For Two

The Man I Love

The Nearness of You

The Night Has 1000 Eyes

The Shadow Of Your Smile

The Very Thought of You

The Way You Look Tonight

There is No Greater Love

There Will Never Be Another You

They Can’t Take That Away From Me

Things Ain’t What They Used to Be

This Masquerade

Time After Time

Tune Up

Watermelon Man

Wave

Well You Needn’t

What is This Thing Called Love

When I Fall In Love

When Sunny Gets Blue

Work Song

Yesterdays

You and the Night and the Music

You Don’t Know What Love Is

You’d Be So Nice To Come Home To

This is where http://www.thestringery.com/featured/random-chords-generator/ comes into play.

On this site you can easily generate random sequences to improve your chord recognition knowledge and improvisational skill. The default number of chords is 16 but you can easily change that number. I advice to play along to a drum beat or a metronome, so that you are more focused, starting with a chord per bar.

Also you could leave the recording backing track for a few days, so you completely forget what you recorded, and use it to practice your aural recognition skills (ear training). Try and see if you can recognise a major chord from a minor, or what extensions are contained in a chord.

I am also sure you will find some ‘snippets’ that will inspire you…maybe the beginning of your next masterpiece.

If you enjoyed the free version of ‘The guitar kit’, ‘THE GUITAR KIT PRO’ is an even bigger collection of music and guitar templates, that I personally use to teach, now available in a consistent and professional look.

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‘THE GUITAR KIT PRO’ INCLUDES:

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BLANK MUSIC PAPER TEMPLATES:
BLANK STAFF PAPER TEMPLATE
BLANK TREBLE CLEF STAFF (without Barlines)
BLANK TREBLE CLEF STAFF (with Barlines)
BLANK TREBLE CLEF STAFF+TAB (without Barlines)
BLANK TREBLE CLEF STAFF+TAB (with Barlines)
BLANK TAB ONLY (without Barlines)
BLANK TAB ONLY (with Barlines)
BLANK PAGE WITH BARLINES
BLANK GUITAR NECK BOX 6 FRETS
BLANK GUITAR NECK BOX 12 FRETS
BLANK GUITAR NECK BOX 24 FRETS
SCALES:
MAJOR/MINOR PENTATONIC SCALE/ BLUES SCALE (5 SHAPES)
MAJOR SCALES (5 SHAPES)
MAJOR SCALES 3 NOTES PER STRING (7 SHAPES)
MELODIC MINOR (5 SHAPES)
MELODIC MINOR 3 NPS (7 SHAPES)
HARMONIC MINOR (5 SHAPES)
HARMONIC MINOR 3 NPS (7 SHAPES)
WHOLE TONE SCALE
DIMINISHED SCALE
MODES OF C MAJOR
MODES OF C MAJOR, PARALLEL APPROACH
MODES OF C MELODIC MINOR
MODES OF C HARMONIC MINOR
ALL MODES – FORMULAS
CHORDS:
BASIC CHORDS CHART (Most popular open chords and Barre chords)
7TH CHORDS CHART :maj7, m7, 7, m7(b5)
CHORD VOCABULARY:
MOST POPULAR CHORDS (TONIC:C)
MOST POPULAR CHORDS (TONIC:Db/C#)
MOST POPULAR CHORDS (TONIC:D)
MOST POPULAR CHORDS (TONIC:Eb/D#)
MOST POPULAR CHORDS (TONIC:E)
MOST POPULAR CHORDS (TONIC:F)
MOST POPULAR CHORDS (TONIC:Gb/F#)
MOST POPULAR CHORDS (TONIC:G)
MOST POPULAR CHORDS (TONIC:Ab/G#)
MOST POPULAR CHORDS (TONIC:A)
MOST POPULAR CHORDS (TONIC:Bb/A#)
MOST POPULAR CHORDS (TONIC:B)
ARPEGGIOS:
MAJOR/MINOR/AUG TRIADS ALL INVERSIONS
7th ARPEGGIOS ALL INVERSIONS
7th ARPEGGIOS 3 STRING SETS
MISC TEMPLATES:
12 BAR BLUES FORM (ROMAN NUMERALS)
12 BAR BLUES IN E
12 BAR BLUES IN A
12 BAR BLUES IN C
12 BAR BLUES IN G
GUITAR ANATOMY/FINGER NUMBERING
NOTE NAMES ON TREBLE STAFF/NOTE VALUES
NOTES ON GUITAR NECK
CAGED SYSTEM
STRUMMING PATTERN TEMPLATE
HARMONICS CHART
CIRCLE OF FIFTHS
MAJOR SCALES ALL KEYS
INTERVALS CHART
INTERVALS ON THE GUITAR NECK
TRIAD INVERSIONS (CLOSED)
TRIAD INVERSIONS (SPREAD)
GOALS SETTING TEMPLATE
STUDENT NOTES TEMPLATE FOR TEACHERS

I really like this style of phrasing, take some great examples like McCoy Tyner, and a lot of the ‘hard bop’ jazz cats. The basic idea is this: take a scale, in this example I will use a C major scale.

Now  play all the diatonic fourths contained in C major:

In the video I am playing on a Dm (Dorian) vamp, but you can use this phrasing technique on any scale, mode…have fun.

You’re in Gardonyi’s, looking over a piece of music that seems interesting and you want to get the gist of how it goes. Your sight-singing is impeccable so that holds no problems, but what’s that in the corner of the page? – ’120 bpm’.

Can you guess what the tempo of the piece is? One way to do it is to look at a clock and count the rate of the seconds – that’s obviously 60 bpm [beats per minute]. Double it if you need 120 bpm; half it if you want 30 bpm; triplets would move at a rate of 180 bpm. And then, is it a little faster or slower than one of those? Great, but what if there’s no clock?

Well, make a tempo map. Pick some very memorable songs that you can easily imagine and map their tempo. Start vague and get more detailed as you go on. Ideally, they’d be songs that everyone knows, definitive versions, for it to work. And you have to have a pretty accurate mental image of the song at roughly the right tempo.

I started out thinking I’d get a list of ‘the most popular songs of all time’ and work out the BPM. But I think what you really need is:

1. a really memorable song that you know very well and can easily imagine.

2. a way of linking the BPM to some content within the song. Or, any way of memorizing the tempo that’s quick and doesn’t involve rote memorization.

I found this great site http://djbpmstudio.com, which is a list of thousands of songs and their tempos. On that site, you can look at all the songs at, say, 120 bpm and then just choose the song you know best at that speed and then come up with a way of memorising the tempo. For example, it’d be great if ‘When I’m 64′ was actually 64 BPM, or 128. But it isn’t, so forget that. But you get the idea, eh?

Ok, so now you have the problem of memorising which songs go with which tempo but maybe that’s where you can get all creative in service to the common good by somehow linking a tempo to a song, Tony Buzan-style

So, maybe you’re a massive Queen fan. Of course you are! If so, I’ll start you off. Here are some Queen tracks and their rough BPM. Can you think of a clever way to memorise the tempo?

40 bpm: Somebody to Love – 40 bpm is from ‘Find’ and ‘Body’ in this song. (I’m allowing this kind of fudging the rules). We Will Rock You and Save Me also work. Maybe you could think, 40 bpm is the first thing on the metronome and the first thing you need in life is Somebody to Love That’s a terribly lame example but I am sure you are WAY better at this than I am.

50:

60:

70:

80:

90: Fat Bottomed Girls

100: Good Old-Fashioned Lover Boy

110: Another One Bites the Dust

120: You’re My Best Friend

130: Now I’m Here

140:

150:

160:

Use this site to test your tempo memory powers:http://www.all8.com/tools/bpm.htm Can you nail 90 bpm? Try it…

Other games to try if you’ve got no friends or are pathologically bored: Try and name any tempo and hit the bpm and nail it straight away. Or, try to keep the tempo the same for more than two beats.

So the question is: Are you geek enough to make a tempo map? Do you instantly know the tempo of a particular song? Why? How? Why aren’t you sharing your knowledge here? Or maybe it’s just me…

In this lesson he talks about some very cool (and incredibly easy) applications of the standard box pentatonic shape:

Here he talks introduces his book Modern Chords:
Advanced Harmony for Guitar (Mel Bay’s Private Lessons)

I cannot recommend enough to check out this incredible musician!

The Chords (from the fake book-as far as I know it is not copyrighted material so I am posting the original):

One good ‘pattern’ to start familiarising with the progression in playing 1235 for every chord (meaning the 1st,2nd,3nd and 5th of every chord). For the original key it would be B,C#,D#,F#(Bmaj7) then D,E,F#,A (D7), G,A,B,D (G)and so on…

It’s all about getting used to keep your brain engaged at any time. A great exercise!