Comments on: Easy standard jazz song analyzed http://www.trueguitarist.com/easy-standard-jazz-song-analyzed/ Sun, 18 Dec 2011 05:45:27 +0000 hourly 1 By: misterfuzzyhead http://www.trueguitarist.com/easy-standard-jazz-song-analyzed/comment-page-1/#comment-17170 misterfuzzyhead Wed, 06 Apr 2011 23:37:53 +0000 http://www.TrueGuitarist.com/?p=88#comment-17170 Thank you for the jazz lesson - I'm going to check out the related videos now :) Thank you for the jazz lesson – I’m going to check out the related videos now :)

]]> By: Gianni http://www.trueguitarist.com/easy-standard-jazz-song-analyzed/comment-page-1/#comment-15339 Gianni Sat, 08 Jan 2011 14:40:18 +0000 http://www.TrueGuitarist.com/?p=88#comment-15339 2-5-1 minor: http://www.jazclass.aust.com/scales/sca251mi.htm in this case B7 could also be a secondary dominant. tritone sub: read the very simple explanation here: http://www.trueguitarist.com/tritone-substitutionpassing-chords/ 2-5-1 minor: http://www.jazclass.aust.com/scales/sca251mi.htm
in this case B7 could also be a secondary dominant.
tritone sub: read the very simple explanation here:
http://www.trueguitarist.com/tritone-substitutionpassing-chords/

]]> By: daniel http://www.trueguitarist.com/easy-standard-jazz-song-analyzed/comment-page-1/#comment-15338 daniel Sat, 08 Jan 2011 14:22:15 +0000 http://www.TrueGuitarist.com/?p=88#comment-15338 hello, the previous comment presented some mistakes...I am gonna post this new one then!! Sorry sorry about disturbing you. I find your videos and lessons very interesting and you are a great guitarist. about this passage : F#-7/5-, B7, E-, you mentioned the triton substitution. I guess I am not very smart because I am still confused. I know that I can substitute Cmaj with Gb7 or G-7 for example and this applays very well to soloing too...but I can't understand what you mean when you say that this progression "F#-7/5- B7 E- "is a 2-5-1. I can’t understand very well: E- is the 6th or G for example and i can substitute the G chord using E- it's fine ..F#-7/5- is the 7th of G but for me B7 is still a problem: it would be the 5th of Emaj but I can't understand how it can be in this progression. I am a little bit numb and cannot see the triton substitution. hello, the previous comment presented some mistakes…I am gonna post this new one then!! Sorry

sorry about disturbing you. I find your videos and lessons very interesting and you are a great guitarist.
about this passage : F#-7/5-, B7, E-,
you mentioned the triton substitution. I guess I am not very smart because I am still confused. I know that I can substitute Cmaj with Gb7 or G-7 for example and this applays very well to soloing too…but I can’t understand what you mean when you say that this progression “F#-7/5- B7 E- “is a 2-5-1. I can’t understand very well: E- is the 6th or G for example and i can substitute the G chord using E- it’s fine ..F#-7/5- is the 7th of G but for me B7 is still a problem: it would be the 5th of Emaj but I can’t understand how it can be in this progression. I am a little bit numb and cannot see the triton substitution.

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